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March 06, 2017

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Our gallery show reception on March 4th at the Alberta Craft Council

Thank you to everyone that came out to our gallery reception. I'm sorry we didn't get a chance to talk to everyone but it was greatly appreciated :) I hope you all enjoyed yourselves and had an opportunity to chat with some of the amazing people that came.

A very special thanks to all those that had their photographic works of art on display!! We answered so many questions and told the amazing stories behind many of the photos. The photographers that were on display were Amanda Diaz Photography,  Michael Legge, Donna Lynn Photography and Breanne Marie Photography. I also had several photos on display as well. :)  The photographers showed how they each saw the pieces so differently than how we see them. 

We had event and portrait photographer Rick Halbert in attendance who took the below fantastic photographs for us. The link to his Facebook group can be found here. In addition to the event photographer we had model Listah Mutsaro in one of our creations from 2016! Despite the blizzard in the morning and the ice cold day we had a good turnout and managed to sneak in a couple shots outside the Craft Council of Listah which I will add to my page shortly  :) 

 

Below are some photos by Rick Halbert, please feel free to share them with a Facebook tag to his page on social media. :) 

 

 

 

 

 

 

 

For those that want to see the exhibit we will be on display until until the beginning of April, with our featured spot light running the same time!!  We did a nature meets mythology themed group of items including this Greenman mask journal with matching Greenman hair barrettes and a bur oak leaf hair clip. There are also tons of other new things we made just for this spotlight!!! 

greenman, green man mask, leather journal, green man hair clips, leaf hair clips

April 20, 2016

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Spring 2016 wearable art showcase at WCFW.

I am going to slowly update this as there are lots of great photos to go through ! 

Here is a back stage photo taken of everyone who appeared in the show including Tanner as the demon knight and me! This show was by far the toughest to prepare for and even out beat the first time we did a 20 foot booth at the Calgary Comic Expo! We want to thank all the people that helped pull this together starting with Ashley Skrocki MakeUp Artistry (makeup, scheduler, so many other things) & Studio E Photography (fog machine, inspiration, personal cheerleader etc!). Our fantastic back stage dressers and organizers Breanne Marie & Emily and our beautiful models (Lt to Rt): Carra Dawn, Pauline Yee, Listah Mutsaro, Randy Cusack, Samantha Njálsdóttir, Poppy Del, Samantha Adele & Jessica Wright. Our hair dressers from Eveline Charlies Stephanie Herwynen & Karly Shelain Vedan, all the amazing photographers for taking our photos, all our customers who came to the event and supported us, all the volunteers of the show and of course Sandra Fernandes Western Canada Fashion Week for putting on an event that allows us to display our unusual pieces. 

I will include the full story line and character descriptions at a later date :) For now here is a little bit about the show and some of our favourite pictures gathered together!

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Background:

When the lights can be seen, dancing against then evening skyline, the time has come for the quest to begin. When the isle appears from the mists the watery passage way is revealed. When the waters are silent and the day bleeds to dusk her beckoning call can be heard. All those courageous enough to take the voyage will face temptations and dangers both beautiful and horrifying as they seek the Queen of Life. It is said that anyone who unites with this mystical Queen is granted dominion over all living things. Many have travelled these silent waters, climbed the overgrown slopes of the isle and wandered deep in the sprawling forest but none have ever returned. Those who travel without purest intention will surely be lost to temptation and will never see the again the welcoming shores of home. So long as the Queen remains sequestered within the aegis of the grand tree at the forests heart pestilence, plague and death shall encircle humanity. Only through the union of humanity and the pure life force will the darkness lift.

 Randy

Greg Mottle Photography

Studio E Photography

 

 

 

April 07, 2016

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Our shoot for Gothesque Magazine April 2016 Vol 2 Masks

Part of the backstory we wrote for this shoot 

At the forests heart she dwells. In feathers shrouded she spends her days among the trees. The ravens call is the music she craves but it has been years since their wings have burned black against the mid days sun. At last she has found the secret of their entrapment and today they will return to her. Buried deep in the forests winding corridors a prison sits. Shaped as a crystal ball it holds those from whom she has been forcefully estranged.

As she invokes the spell that will break the chains of imprisonment she herself begins to take on another form. And when she has liberated the ravens from their confines her transformation is complete...and she joins them not as a keeper but their sister. As daylight streams between the branches halo the somber winds carry the whispers of battle. High above the bones and flesh of torn grace they circle the sisters three. The time has come to count the living and choose the dead. –Lord Tanner Skrocki

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For this shoot we worked with the delightful Breanne Marie Photography who captured our visions and pieces with her beautiful photography.  The model was the wonderful tattoo artist/model Poppy Del. Makeup was done by Ashley Skrocki Makeup Artistry. 

With the creation of the raven mask for last year’s collection we wanted to do a series of raven inspired items. The concept behind the new pieces was to create three different raven characters similar to The Morrigan from Celtic mythology. The Morrigan, who are considered to be a triple goddess composed of 3 sisters, fly around the battlefield prophesizing death on the battleground. We wanted to make three complete looks that were similar but different enough to be individual characters.

 

Photo by Studio E. Raven mask created in July 2015. 

With the first mask already created I styled it with the cuffs and belt / waist-cincher from our 2015 look book. Next I created a feather bib/necklace, made a blue shirt, from some special fabric I had been saving, to bring a bit of colour to the silver and black. The look was finished off with the completion of a velvet cape I had been making for a while.

 

 For the next look I wanted to make a more elaborate version of the leather mask with black feathers, featured in our 2015 look book, which had sold last fall. I redesigned parts of the mask adding lots of Swarovski crystals, beads and carving to really make it pop! The shoulder amour was a piece I created in 2015 and I used it because I wanted to hint at the battlefield that the ravens fly around. The armour corset was created for the upcoming 2016 Western Canada Fashion Week and is inlaid with blue/black tigers eye which only further shows the “war goddess” interpretation. I added a number of different pierced layers and lots of hand carving to the front panel of the corset to give it dimension and focal points additional to the beautiful stones. The armour style cuffs were created this year as well featuring Swarovski crystal, hand carving and hand painted leather. A blue accent skirt was added under the black skirts from the 2015 WCFW to continue the hint of blue featured in the other photos. The sterling silver pendant was created shortly before this shoot and has a different look with a bit of classy edginess I felt suited this shoot. It was made start to finish in our workshop. First it was patterned and shaped, then oxidized and pierced, and finally I bezel set the large blue druzy to create a captivating focal point.

 

 

 For the final look I wanted to show the models face. The headpiece is based on one of my mask designs made into a fantasy kokoshnik style headdress (note: this headdress can be created as a mask and most of our masks can be created as a headpieces/crowns/French style hoods – please email me if interested). These historical headdresses first appeared around the 10 century and originated in Russia. The style become the most popular around the 16-19th centuries and variations can be seen throughout the Slavic areas. It apparently was a huge fashion statement during those times, in Russia, and is similar to the French hood worn in Tudor England. Nearing the end of their popularity they were inspired just as much by the traditional Kokoshnik styles as they were by Italian Renaissance fashion. I figured the Morrigan sisters were probably unmarried and created an open back Povyazka (a style of head dress worn by unmarried girls). The shaping for the piece I created is made in a half-moon shape but some of the historic pieces were also created in a crescent shape. Since I was only inspired by the kokoshnik I decided to have it resemble a crown and add black rooster feathers to symbolize the ravens, which was fitting for what The Morrigan actually stands for “the phantom queen” or “great queen.” Interestingly enough the Kokoshnik style of headdress was brought back into popularity in recent times when it was featured as costume wear in Star Wars and other numerous fantasy/sci-fi tv shows and movies (Queen of the Damned). The leather cape was another new piece which took an incredible amount of time to make and design. With movement the cape looks like wings and it has a very couture feel to the piece which can be worn for any number of “non-costume” events. For this piece I used supple garment leather to create the body and most of the additional layers of adornments. I created custom trim which is stitched and riveted along the front. Next I made dozens of feathers, which were each strategically stitched into place. And finally I hand sculpted, carved and dyed some thin vegi-tan leather to create some more structured, yet flexible, panels for the back shoulder area. This raven cape is actually one of my, and my husbands, favorite pieces! To complete the look I added for this “character” I created a beak mask I had designed in early January (featured with no straps, but straps can be added), blue earring inserts and one of my blue druzy wire wraps. For the beak mask I created a bunch of differently shaped individual feathers, from vegi-tan, hand sculpted, dyed and carved them. On the bottom of the beak there is an ornate pierced pattern and the silver areas are hand painted while the bottom is dyed black. The wire wrap is hand sculpted from sterling silver and gold-filled wire and features a large blue druzy stone.

 

To see more of Breanne's photography visit her website here. 

To see more of Ashley's makeup visit here.

To see more of Poppy Del's work visit here. 

April 05, 2016

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Our Edmonton Journal Article

Published in the Edmonton Journal Blog on April 4th 2016. Published in the Edmonton Journal print paper April 5th 2016. Written by Julia Lipscombe. 

Image by Breanne Marie Photography. Model Poppy Del. Makeup Ashley Skrocki. 

Wearable art: Edmonton designers create towering headpieces and painted masks

When Amy Skrocki and Tanner Wilson-Skrocki put on a fashion show for their leather and metal wearable art, it’s doesn’t just consist of a few models traipsing down a catwalk.

The latest show for their brand, Paragon of Design by Skrocki, during Western Canada Fashion Week in March, was a fantasy drama, complete with an imagined world, stunning visuals, a synopsis for the audience, a whole cast of characters and a smoke machine.

“We write stories together and character sketches, and we try to develop pieces that we feel embody those characters,” says Tanner. “We gave everyone on the runway a little bit of an idea and insight into their character.”

But even with all of the fanfare, the show’s standout element was the clothes: the nine individual looks lovingly — and rather painstakingly — brought to life.

Paragon of Design by Skrocki

Paragon of Design by Skrocki. STUDIO E PHOTOGRAPHY

To view this item click here. 

Paragon of Design’s immaculate and towering headpieces, elaborate painted masks, precisely laser-cut tops and cuffs in-laid with gems and crystals, and lavishly adorned corsets stand out for the quality of design, materials and craftsmanship.

“We actually calculated it out — the nine outfits took close to 1,300 hours to make,” says Amy.

The couple have been together for 16 years, and making the line for nine. Tanner used to have a day job as a film liaison at the City of Edmonton, but after he went on paternity leave for their one-and-a-half-year-old daughter, Seraphim, he never went back. Now, they both work full-time (sometimes around the clock) on their costumes, filling orders for their popular 3-D sculpted and leather-bound books, or making metal accessories.

Both quote history and travel as major inspirations. Tanner adds fantasy and sci-fi flicks like Lord of the Rings and Alien to his list; while Amy cites religious iconography, Gothic cathedrals and Byzantine artwork.

Amy does the bulk of the design work. Tanner apprenticed under her to learn the 35 of 40 steps necessary to make a necklace, a pair of cufflinks or earrings — items that make up a large chunk of their business.

The pair’s home garage workspace already looks like a behind-the-scenes studio of a movie set, but Amy’s dream for the future is a larger studio and more employees as they shift their business model.

A look from Paragon of Design by Skrocki's Western Canada Fashion Week show.

A look from Paragon of Design by Skrocki’s Western Canada Fashion Week show.STUDIO E PHOTOGRAPHY

The couple used to sell their designs at craft shows, sometimes at the exhausting pace of one show per week, but that didn’t leave much room to display their larger-scale, statement wearable-art items — nor was it really the market for that type of work. 

So how to show off those fantastic belts, corsets and masks? They’d been aware of WCFW’s Costume Design Competition for a few years, but Amy always put off entering. That changed when she had her daughter, which reminded her that life is precious and anything can happen.

“After that, I thought: if something ever happened to me, I’d have all these designs, and nobody would ever have seen them. So I said, ‘I’m going to enter that competition.’ And I did.”

They won. That was in 2015, which makes this past fashion week a year since their first fashion show.

In the past couple of years, they’ve been approached by theatre productions and publications that want to borrow or buy their big-ticket items. Those worlds — as well as film and television — are where Paragon of Design would, ideally, like to head.

“We had never considered it before, which is crazy,” says Amy. “It’s like a whole new world opened up. It was like an epiphany: this is where we should have started.”

From Paragon of Design by Skrocki's Western Canada Fashion Week show.

From Paragon of Design by Skrocki’s Western Canada Fashion Week show. STUDIO E PHOTOGRAPHY

Now, the pair does most of their sales online. They also fill lots of custom orders and sell their items wholesale. Their only “storefront” is the St. Albert Farmers’ Market — which they love. 

“We really have an inventory of about 400 items, but anything can be customized,” says Amy. “So, if you see a dragon on a pair of cufflinks, we can do that dragon on anything — a purse, an iPad case or a pendant. Each store can have their own customized line of items exclusive to them.”

Paragon of Design has also been commissioned to make art for the Fairmont Banff Springs hotel, and to create custom leather books and iPad cases (complete with the Alberta crest) for the Government of Alberta to give away to foreign dignitaries and delegates visiting the province.

One of Paragon of Design’s corsets won an international wearable art competition, and their work is on display in places like the Saskatchewan Craft Council and the Alberta Craft Council. They’ve also been a presence at two Golden Globes gifting suites in Los Angeles — no small feat.

Extra exposure comes with some risk, but they don’t mind. “We’ve had our designs stolen and made in Bali or China, but you know what? Was it better to just keep it in the garage and never show anyone? I don’t think so,” says Amy.

A look from Paragon of Design by Skrocki's Western Canada Fashion Week show.

A look from Paragon of Design by Skrocki’s Western Canada Fashion Week show.STUDIO E PHOTOGRAPHY

Amy and Tanner are keen to keep building their profile, but not just for the benefit of their own brand.

“To have Edmonton named as one of these places that makes cool handmade things that are sent all over the world? I would love that,” says Amy. “That would be just awesome.”

Paragon of Design by Skrocki is available online atskrocki.ca. Amy Skrocki and Tanner Wilson-Skrocki will be at the St. Albert Farmers’ Market, in front of St. Albert Place at 5 St. Anne Street, every Saturday from June to October. 

 

 

To view the article click here.

March 31, 2016

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Our T8N Interview

This photo essay appeared in the February 2016 copy of St. Alberta/Edmonton's T8N magazine written by Carmen Hrynchuk with all photography done by Brenda Lakeman. 

THE FINE ART OF HARD WORK: Welcome to Paragon of Design

 
Ars longa, vita brevis (Art is long, life is short). It’s a sentiment that many have read and contemplated but that few have taken to heart. Artists Amy and -Tanner Skrocki are among those few. And heart is exactly what they pour into their partnership. Much like their work, their history is a story of transformation.

When they met 16 years ago, Amy was a high-school student and Tanner was a writer working in a music store. Amy, appreciating Tanner’s CD recommendations (and his music magazine), sent him an email telling him so. Tanner, flattered and intrigued, sent his “fan” a few more samples of his writing but admits that he hadn’t a clue who he was emailing. Today, Tanner’s far more sure, and Amy’s not only the most talented person he knows but also his mentor in the studio and his partner in work and life. Together they are the multi-talented team behind Paragon of Design—a design house featuring wearable art inspired by artifacts, fantasy and passion.

01312016_424On the day we visited, we had the pleasure of witnessing just how talented they are. Holding the titles of metal smith, leather smith, sculptor, bookbinder, etching specialist, writer, composer and historian—this dynamic duo gave us a glimpse into the fine art of hard work and the hard work of fine art. Take a look.

 

“When we travel, we go to all the museums and historic sites we can to get inspiration. And we’ll just take our journals and start writing and drawing and adding photographs or postcards we find along the way so that we can ‘document’ what we’ve seen and imagined while we were there. When we get back, we use it to come up with characters we think would have lived through that time period and then write little stories about each of them—who they are, what they’d do and wear. Amy does most of the dreaming and comes up with the ideas, and then we go away and bring them to life.”

–Tanner

 

To view this pendant click here.

“Tanner is the one who always keeps me going. I run all my ideas past him. Sometimes he’ll think I should change something, and I’ll be all, ‘No!’ (laughing), but mostly he says, ‘I think you should just do it.’ Everyday, he just keeps saying it. I wouldn’t be able to do the stuff we’re designing now without that support—without him. He also puts all our ideas into words, which is amazing and something I could never do. We really work together as a perfect team.”

–Amy

 

“I never get tired of watching Amy design. It’s not that she just sketches or designs—she draws with wire, and I can actually see the ideas coming from her. It’s rare and my privilege to work with her.”

–Tanner

 

“The career is a lot about saying yes and then figuring it out later. A fashion show is something I’d been wanting to do for years but was too afraid because there’s no book on how to do this. Eventually I was just like, ‘life is too short. I’m just going to do it.’ Then all of a sudden, we’re there at the fashion show costume competition, and our first piece wins, and we’re given our own show and it hits you—‘Oh my God, I have to make 12 pieces, and how am I going to do this?’ And I don’t know how it happened, but it did (laughing).” –Amy

01312016_280-v4-Edit

Model Carra Pischke 

 

“I think art should make you feel something, and that’s the biggest compliment we get from our customers. We hear it all the time at the St. Albert Farmers’ Market. Someone will buy a ring or a journal and come back years later and say ‘This is still my favourite piece of jewellery because I bought it at a key point in my life, and it just spoke to me.’ That means so much to us.”

–Tanner

 

“The future? We’d love to have a great big studio some day with all sorts of artists working there with us. A place where we could further cultivate the community and even  apprentices people who want to learn the things that we’ve struggled to learn.”

–Amy

To check out any other photos follow the link here 

To check out Brenda Lakeman's other work click here. 

 

Updates and what's happening in March!

We are signed up for Western Canada Fashion Week on March 28th!! Doors open at 7 pm with the show to follow at 8 pm at the Transalta Arts Barn in Edmonton!

For this show we are writing a short story inspired by several Celtic myths we love. Shortly before the show we will share the summery of the story and later this year the full story to go along with all the runway photos.  We decided to do this instead of a real collection since many of our pieces are so vastly different from each other. Also because each signature piece we make is usually based on a character we either made up or on a story we wrote that included the character.

Recently, we were published in January’s edition of Gilded magazine out of California. This photo shoot was also based on a short story we wrote.

We were lucky enough to meet a kindred spirit who really understands the stories and inspiration behind our pieces. The photographer (Breanne Marie Photography) captured the story line well through her photos! She has been amazing to collaborate with and you can check out more of her beautiful work here.

We will do a full blog post with the story and all the photos from the shoot soon! But for now below is one that we love of model Jen ferguson.

We are also very fortunate to have my sister, Ashley, as part of our team. We will be creating a line of complementary (to our items) stencils for airbrushing makeup by this summer!! 

You can check out Ash's other work on her website http://skrockimakeupartistry.weebly.com

*Ash with model Carra Pischke Photograph by Brenda Lakeman

We were also featured in a local in print and digital magazine, T8N, with a photo essay. This shows never seen before shots of our studio, inspirations, quick drawings and water colour tests of various pieces we make. We asked one of our favourite models Carra Pischke to join us for the shoot! The interview was done by the editor Carmen and the photo essay portion was done by Brenda Lakemen out of St. Albert. For anyone interested in checking out a bit about our studio and a little bit about the makers of all these item T8N Magazine (March edition) is available on their website!  For those that live in Edmonton or St. Albert the magazine is at dozens of different locations free of charge for pick up. A full list of available places is located on their website! Here is a link to the feature with the full print version at the bottom
T8N March Issue

Lastly we recently changed the pricing on our website to US dollars to be included on social media like “Pinterest.” This now makes all our items pinable! For our Canadian customers this just means you will see the Canadian amount on your bill. If you want to purchase in Canadian dollars you can also do that through our Etsy shop! 

 Details to follow soon about other photoshoots and publications!!

 

 

January 31, 2016

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Shoot in Gilded Magazine January 2016 Edition.

This shoot was based on a short story we wrote :) It's only very roughly edited to show the context and the ideas behind the shoot. I included the scene notes to further describe the items we used as well as the through process behind the shoot. The photographer was the fantastic Breanne Marie Photography.

This photographer was all for the crazy ideas we threw at her and added in some ideas of her own to create a truly unique set of photos. 

The models were, Carra Pischke, Jen Ferguson  and Randy Cusack. With Makeup by Ashley Skrocki Makeup Artistry and hair by Dani White. 

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On a cloudless night the stars shone upon a forest through which no light could reach. Pathways once lush and inviting were consumed by branches long and short entwined like lovers against the twilight. Deep within the corridors of winding trees dark secrets aching to be told are disclosed in clandestine meetings by the shadows that keep them. The intones, crisp against empty air, hang in anticipation of the drums beat calling to those who have yet to appear. The circles completion draws nearer and nearer as they amass. Of blood and stone that which must be given is presented in the face of the full moon. Those who assemble beneath its watchful eye gather not for light and though the stars shine, their light is lost amid the branches, and tonight the moon shall turn its back on this forest.

 

Not far from the gathering there winds a dusty path outstretching its worn fingers through countryside’s and touching the hamlets where those unaware of these nefarious goings on blissfully unwind from the labours’ of the day. But the merriest of all were undoubtedly the traveling companies who setup their temporary quarters at some unexceptional whereabouts along the weaving roadside. Their day had passed in hours of toil hauling belongs, wares, and caravans onwards to a destination only determined upon arrival. When they stopped to await the coming dawn the fires were built against the embers of a slow sinking sun. With the cauldrons bubbling and the fresh game roasting it was song and bottle that beckoned most. But not all would find solace in such illusions and one such young man sought his retreat in the moons mesmerizing face. With little hesitation he blissfully set forth from the comforting nest of his encampment and the fuzzy warmth of friendship, security and ale onto the dusty path.

 

Along the path he strolled the air was crisp against his face and the silence was unbroken save for even pacing of his own footsteps. Lost in his thoughts on he wandered unaware of the distance he had travelled when a darkened wood consumed his view. The sound of a maiden’s sweet laughter drew the young man from his contemplation and step-by-step he travelled ever deeper into the woods. A glimpse of her cloak, the flash of her hair like smoke stranded against the dark draws him closer still. Her slender hand reaches from the shadows with but one finger out stretched and, as though it were the night itself beckoning, entices him onwards. Each step reveals another piece of her identity. Upon her face a black filigree mask obscures her identity and an intricately detailed ivory cloak with ornate trim wraps around her weaving her to the shadows that hold her. The gold of the ring on her beckoning finger captivates the young man and, as though in an anesthetized trance, he is powerless. So bewitching is her gaze he is oblivious to the rings razor edge against his skin or the body pinned tightly beneath the shroud just steps away. In her other hand she carries a mask with a dark visage and great horns. Those who have gathered in surreptitious amassment remain buried in the shadows but watching carefully the transpiring events. With but one drop of the young mans blood upon the tip of her index finger the transformation has begun. A horned creature, enslaved to that which commands these dark woods, now stands where once an innocent man stood its soulless gaze resting upon the risen goddess. Agape beneath the taunt shroud the mouth seems frozen in time like a marble sarcophagus in a forgotten mausoleum. Yet when the single drop of innocence is passed from bent fingertip a gasp can be heard like rustling leaves caught in the forests throat. Slowly beneath the shroud the body stirs as if reanimated from a state fit for the grave she moves again. There in the forest, behind the back of the moon, where the stars light cannot reach, stands a goddess of ancient will, at one side her noble sacrifice no more than a husk as he is, and at the other a body returned from the grasp of death. And from every shadow there appears another set of horns, another set of deep black eyes peering, their numbers are innumerable filling the night. Like a butterfly emerging from the hollows of the mortuary the shroud slips form her as she rises. In the eyes of the goddess the gold of her adornments shimmer. At her foot there lies a great horned mask its empty eyes starring back at the stars.

 The End

 

The scene notes show roughly what items the models would be wearing, what the models might be doing. 

Scene one: shows model in cape with filigree mask and Swarovski crystal cuff. Raising one finger to beckon the traveller. Black mask. Large armour ring. The woman is wearing a large skirt. Cape is golden or ivory with black trim. 

 

Scene two: shows man and woman- no mask on the female model. She is tracing her finger with the ring down the front of he chest. Leaving a small drop of blood. He is holding the demon mask. He is wearing a cape with a large axe pendant.

(Various edits below) Breanne thoughts of smoke bombs, which worked amazingly with the sort of fairy tale shoot. I love the black and white version as well. This reminded me of a old fairy tale that would have been filmed in the 70s. The smoke from the bombs changed so rapidly, with the far right picture making it seem like the smoke is coming from the models hand. 

 

Scene three: shows the woman now in large mask/with large skull necklace with drop of blood on her finger holding it over to silhouette on the table.  No cape in this image. Cathedral cuffs.

A incredible image by Breanne Marie Photography with fantastic editing. 

Scene four:

The woman on the table has the cloth sucked into her mouth like she is breathing air in. the man in the mask is faintly seen in the background. Large dragon cuffs with onyx. Horned mask, black filigree shoulder armour. Cape with trim. Potentially it is showing her rising from the table with the clothed still draped over her in the back ground there is multiple demon masked wearing men cloak off to show accessories underneath. Skull belt on male model .

Behind the scene shot with Tanner. This even makes it look more like some vintage film. On the right side you see the hair artist Dani White. 

You can see the model Randy transformed. I love the shots Breanne Marie Photography did of Randy. 

 

 

Totally surreal shot!!!! 

Picture 5: solo pic of woman. shows the woman from under the blanket wearing the larger Phaedra set (large statement axe set, cuffs, belt, earrings). Shorter stone bodice/corset. There is the mask by her feet. 

 

 

the blue smoke only adds to magic of the overall shoot. 

Alternative edit by Breanne Marie Photography. 

To see other photos done by Breanne Marie Photography please check out her website here

 

 

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